BAFTA breaks into podcasting

Building a podcast and marketing strategy for one of the most well-respected cultural institutions was a challenge that required all of our company skills, writes Rethink Audio’s founder Matt Hill. From building a temporary podcast studio that could be demolished in under an hour, to negotiating the riders of some of Hollywood’s biggest stars, this six-month collaboration with Rethink Audio brought hundreds of thousands of eyes and ears to BAFTA’s new podcast series.

BAFTA had a challenge.

The charity had plenty of coverage when they announced their five Best Film nominees each year - and yet the wider longlist of ten movies wasn't given nearly as much attention by the press. Our solution was Countdown To The BAFTAs.

Hosted by self-confessed movie geek Alex Zane, the series interviews the producers behind the ten longlisted movies in contention for Best Film.

Why producers? Because we wanted to provide a definitive history of the making of a classic movie; one that could be listened to years after the awards, from a trusted brand that promotes cinematic excellence. Producers knew their movies inside out - from those initial, speculative casting calls to the first screenings - so Alex could move chronologically through the production. Of course, they also had the good fortune not to be on the press junkets for months at a time, so they were coming to the series relatively fresh!


Production Highlights

  • Bradley Cooper, sharing with us the hardest scene to direct in his movie, Maestro

  • Margot Robbie describing the moment Greta Gerwig’s first script landed

  • Our social clip for nominee Poor Things, which blew up on TikTok

Services Provided

Audio & Video Production

  • Three-Month Strategic Consultancy

  • Studio Build

  • Social Video Post-Production

  • Paid Marketing Campaign

Innovations

We negotiated a paid campaign with Sony Podcasts, promoting each of the longlisted films to listeners of Kermode & Mayo’s Take, in a 4-minute advertorial. This was a world-first campaign, which promoted both the podcast and built anticipation of the awards with BAFTA’s target audience of film and culture lovers.

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